"Paintings With Personality"

Quality vs. Quantity in Fine Art Exhibits

Here is another entry in my complementary colors investigation. I call this one "Solar Flare." It is small, only 7x9 inches. 

Recently, I have heard several conversations about quality versus quantity in art exhibits. I started thinking about whether I would rather be part of a big show with less important paintings, or part of a smaller, quality show where I might not get into the show and if I did get in, might not win an award.  I decided I would prefer being included in a good, quality show over an exhibit that displays inconsequential work.

A curated show where everyone gets in, isn’t really a juried show, it is a waste of everyone’s abilities and won’t rival other art exhibits. It will not be considered an exhibit to be sought after, no one will make getting into that show a goal.

Most of the larger art societies have a “signature” group and an “associates” group. Artists pay dues to be an associate member, but must achieve certain requirements in order to gain signature status. Everyone goes through that process. The associates group has exhibits separate from the signature group. When an exhibit is substandard because of relaxed jurying even the up and coming painters eventually stop trying to get into the show.

It is important that artists learn how to tell good work from bad, especially when the work is your own. If you are interested in competing in art exhibits, set high goals for yourself and learn how to create quality work. Your objective will be the deciding factor in where your art goes and where it ends up. You get into the top shows based on the quality of your work, not how much you work for a club, or how many people you know. You will also feel great about yourself and the work you put into creating your art.

It’s all about choice. If you have been painting, or sculpting for “sales or shows” you’re defeating yourself. Not everything painted or sculpted is show worthy. Even the greatest artists have stacks of work they aren’t willing to show anywhere. All artists should have a stack of work that doesn’t meet their personal standards, if they don’t, they aren’t trying to improve and their work has become static.

Making good art is a work in progress. Do your own work and worry about art shows when you are sure the work is good enough. Take charge and paint what you want and how you want. Create art because you love what you are doing and for no other reason. Don’t work for shows or sales, be creative, never stop learning and never look back.

Quality art exhibits aren’t going away. Professional artists want a quality venue where they can show their work. And buyers want a quality exhibit where they can be assured of seeing excellent work. It is important for you to set high standards in your art making. If you have been unable to get into the shows to which you aspire, set your creative goals higher, then buckle down and get to work.

Please comment below, I would like to hear from you. Later, Judy

www.judyballance.com

 

The Nicest Way to View Art

Comments

18 Responses to Quality vs. Quantity in Fine Art Exhibits

You have made some very good points here, Judy. I would think the attendees at quality shows would be more willing to make a purchase.

My aim is to improve my art with each painting that I do.

Thanks for your article.

My feelings exactly! Thanks for the reinforcement. I've long ago stopped painting for specific shows, because if it's a theme or subject matter that does not inspire me it probably won't be accepted and I've wasted the time and the entry fee. What's worse is if it does get in and I go through the hassle and high cost of shipping. If it doesn't sell then I'm stuck with return shipping costs and a substandard painting that is not me.

No, now if a respected high end show comes up that I think is a good venue for one of my best paintings, I'll enter.

I like to hear that I'm not alone with my stacks of not-so-great pieces, for I have learned something from each one.

Thank you both for your comments. Well said

Thanks for this Judy. As a "new/renewed" artist I have been struggling to decide which shows to pursue. Here in AZ there are several large prestigious juried shows I'd like to submit to, but some are simply very expensive so I haven't pursued them yet. Your thoughts on the subject? Appreciate your perspective, Mary

Its always good to hear that you should have integrity and commitment to high standards when creating works to share out for others to see and purchase. Far too many have given way to mediocrity and gimmicks for the fast bucks. We will all be encouraged by this post. And I might add that some may be intimidated to show your work if the quality outshines many in that circle. Aiming high and climbing that ladder can be a very lonesome journey. Thats why your integrity is all the company you have. So in the end be proud of yourself and what you do.

Some really good points here. Thanks for putting it so well. If you don't love what you're doing, it shows up in your art. As a wise teacher once said "Art=Emotion."

Judy, you have some excellent points, there is likely at least another blog or two on this subject. But the surface of this subject is scratched nicely!

Amen Sandra, regarding the possibility of one's work outshining others. It might also be that it just doesn't fit the brand of the venue or exhibiting gallery. I know that my classical still lifes won't be accepted for shows in cutting edge contemporary galleries, so I don't enter those unless I see that work similar to mine has been accepted in past shows.

The principles to hold onto are stated so beautifully by Judy: "Do your own work .... Take charge and paint what you want and how you want. Create art because you love what you are doing and for no other reason.....never stop learning and never look back."

Shows in which artists compete for a prize have always puzzled me. Why do these artist compete? Is it their insecurity that seeks recognition that they personally have some worth? Is it just part of marketing ones product so you can make more money by presenting collectors with "proof" of your work's value?

I once asked 100 people to review 500 of my images and pick out which one they personally thought was "best" (whatever that meant to them), which one they thought was second best and third best. I told them there would be a random draw for all those who participated and the winner would get one of my paintings. The results were interesting in that perhaps 20 percent of them agreed on the same image that they thought was best. When it came to second and third best only one or two percent ever shared in the same choice.

I was left with the belief that appreciation of art is purely subjective and personal; that all art is unique; that no one's art is better than another. It is all just art.

I have been an artist my entire life, not because I chose to be one but because there was a creative void inside me that had to be filled. As a businessman I used this creativity compulsion to develop products that made millions of dollars. Because of this, I have never had to make a living from the selling my images. Perhaps, if I had had to, I might better understand why artists enter into competitions.

I agree totally with your comment, Ian, that art is purely subjective and personal. As a member of a co-op gallery in my home town, I have opportunities when I am working to notice people walk by some art and concentrate on other pieces. It is interesting to see which pieces draw the most attention and even more interesting to me to see what kind of attention my own paintings get. I believe that when a person buys a piece of art it is because it causes some emotion to arise within them. If you enter art in a juried show, more often than not the juror picks the pieces that speak most to him/her.

hi Judy -

the only high powered and quality based show that my art is every in now is when a person no matter who they are or where they live - sits down at their own computer or looks at the smart phone or device in their hand and goes to my online art galleries -

I have experienced people doing this in many places throughout Manhattan and a few times on the subway ride to Manhattan from Forest Hills, New York where I live -

the latest was extremely memorable -

I gave my card to this lady and she went right to the site of my galleries and started looking and then we had a conversation right there in the subway - the ultimate social experience for any artist or business person in today's world -

this lady is an architect who has been here for 4 months - from Egypt and whose husband is a surgeon (presumably the reason that she moved here from Egypt) and she does not travel to the city (what we in Forest Hills refer to Manhattan although we are also a part of New York City as well) that often but she was on her way today - and she does most of her work on the internet with companies that give her assignments - at this point from Egypt -

her reaction to my work was very positive and I am sure that out of all the distractions that could possibly be pulling her away from my work - she instead remain steadfastly viewing more and more of my art (there are over 350,000 images in my online galleries at this point in time) and I discovered that her sister who is back in Egypt is an artist as well which gave me the opportunity for me to tell the lady about the free offer for 3 galleries on the site where my art is hosted on for her to upload her work for other people to see all over the world -

this is the most direct and powerful way to have people view my work and perhaps it might also work well for some of the people who are reading this comment -

it is also a very positive act for me to introduce my art on the Imagekind site where my art is hosted because I am also giving a chance for over 55,000 other artists to have their work viewed as well - (something of a networking effect where everyone's viewers get to see everyone else's work in addition to mine)

so from a certain perspective - the group shows - are not about lesser quality in my mine - in fact they instead allow the viewers greater diversity and perhaps to see work that they might not otherwise see and therefor expand their minds as to what artists are working on and perhaps also see other types of work that they may enjoy and want to collect or invest in -

things are changing all of the time and I would hate to think that a person - any person who liked my work and began their adventures of buying and collecting or investing in art started and stopped their exploration with just my work - (although I have enough images for anyone to do that - 350,000 images up at this point in time) it is also nice to know that my efforts might support and encourage other artists who are attempting to get their work seen and sold and this makes this system all the more powerful and enjoyable for me -

consider this - every single artist who has their work on Imagekind - also gets the benefit of the fact that I have a gallery presence on aertnet.com

http://www.artnet.com/galleries/the-bebirian-art-collection/

and they do not have to pay for their galleries to gain this benefit -

of course there may not be anyone here who reads this that understands or agrees with this but that is OK since the differences in all of us is what makes the world that much more interesting -

in fact I actually have over 200,000 more images to upload waiting on my computers and I create newer images every day just about - so I am sure that the pace at which people learn about and make purchases of prints and canvases of my work will only quicken over time and for that I am ready for most everyone with more and more of what they came for - art -

every artist has lesser or greater works that they create during their lifetime of working but that is not to say that someone may purchase one of those lesser paintings and love it just as much as someone who has purchased that artists greatest work - their is still no accounting for taste and for knowing which piece will appeal to any one person -

Walter :-)

I like what you are explaining through the blog up . It is very important for me as a beginner who is using website at the first time

Hi Mary,
Welcome back to art. I would say... try them. If you don't get in, you have learned that you need to work harder. Ask a reliable friend what it is that you might work on the hardest. Learning what you need to do is never wasted money.

I appreciate all of your comments, particularly Sandra's. As for myself, I do art shows for the camaraderie. Being an artist can be lonely and it is wonderful when I can see everyone again and catch up on all that is happening in local art.

Judy - there is a new live streaming social media site that might be easier and a lot let time consuming where you can actually get people from all over the world to discover you art -

https://blab.im

it is free for anyone to join and I have met people from all over the world during the last few months - you need a twitter account to sign on and that is a good social system to be on as well -

Wonderful information, Walter. Thank you, I'll look at it right now. Judy

and once you and a fe other artists become familiar with the platform there it might be nice to do some blabs together if you would like that -

I am all signed in, that is a great future idea.


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