"Paintings With Personality"

5 Things to Look For When Deciding On a Fine Art Workshop

Chinook is one of the first acrylics I painted. It is done in a fluid, watercolor manner.

I took a four day painting workshop early this month (May). I signed up for three primary reasons: 1) It was nearby and I was able to stay at home, thereby, avoiding the additional cost of room and board. 2) Several of my friends were taking it, so it was bound to be a lot of fun. 3) The workshop was about abstract painting and collage, both of which I wanted to know more about. I knew the instructors work and the title of the workshop, but had no other information. The workshop description was available, I just didn’t look.

The first two reasons were enough for me and it really was a lot of fun, but I wish I had read the description because it turned out to be a mistake for me. Had I asked the right questions before joining, I would have gotten the information I needed and been better able to decide on whether to take the workshop. Five questions I wish I had asked are listed here:

  1. Do you want to be entertained or taught? Your teacher can be very entertaining without actually teaching. They might only present a few techniques, techniques abound and exactly how many do we need anyway? Choose the teacher carefully and know his/her reputation. Don’t let their style have too much of an influence on your choice.
  2. What do you want to learn? Know yourself and decide what you want and need from a workshop then read the workshop description. Know exactly what is being offered and what you are looking for.
  3. Will there be one on one time with the instructor and/or group discussions? The instructor usually goes around to each workshop participant and comments about their current progress. I had one instructor who scheduled time with each student to talk about goals, how we expected to attain the goals, and work habits. Group discussions, with a moderator to keep the discussion on topic, can be very interesting and informative.
  4. Will there be a critique at the end of each day? Many workshop instructors today don’t give a critique at the end of the day or week. There are both pros and cons for each method. Not giving a critique certainly lets the student save face but no one is there to show off, they are there to learn. Students learn from a critique of all the work, not just the critique of their own work.
  5. What level student is the workshop aimed at? It is more profitable for an instructor to accept all levels in their workshop and most do just that. You will get what you want out of a workshop when you know your goals.

Mainly, you need to think about your work and know your intentions and goals. No questions or answers will help you get what you want from a workshop if you don’t know what direction you want to take.

Please comment below, I would like to hear from you. Later, Judy

www.judyballance.com

 

The Nicest Way to View Art

Comments

10 Responses to 5 Things to Look For When Deciding On a Fine Art Workshop

The skill level that instructors accept has been my pet peeve for 30 years. When I teach a studio (indoor) workshop, I specifically gear it to either Beginners, or to Intermediates/Advanced. When I teach plein air (especially overseas), I stretch it to include everyone and that works out fine for all because it's usually a more intimate group to begin with. Good thoughts!

Good questions to ask up front, Judy. While I have traveled far and wide in the past to take classes, more recently, I have begun to limit myself to classes that if not closer to my home, at least are close to the homes of friends and or family. Too many times I have paid more for travel/lodging than the class. I also look for classes that are 5 days or more. I find, for me, a 2-4 day weekend class just barely scratches the surface in terms of learning new information and new techniques. The longer you are in a field, your workshop learning resembles a bell shaped curve. Initially, you may not absorb very much. Then you reach a stage in your development when your learning peaks. Later in your development your new learning begins to lessen and there are diminishing returns with workshop attendance.

I recently took a workshop where the instructor didn't say that the class was for beginners. I learned very little new info. From now on, I will always obtain the level of the class.

Good point, Jodi. Sometimes going back to the basics is a good thing, but not when you're paying big bucks for the information.

Susan, HI. I love your comparison with the bell curve. It is so true.

Helen, thank you for your comments. Skill level is important for everyone to get something out of the workshop. Beginners can feel overwhelmed and inadequate or, the advanced students feel like they are being held back.

Judy,
Very interesting article. Was very helpful for me. I teach Positive Painting classes. I let the student
create what's in their heart. I don't judge their paintings, I encourage them to bring out their potential. We talk, relax, listen to music, even have
tea together. Over all a good time. They leave feeling
acomplished.

Judy,

Thank you for sharing your insights on workshops.
For me, whether in a class or a workshop setting, both the critiques of my work and listening to the critiques of the other students work were more valuable than just learning new techniques. Over the years, I've also participated in a local Plein Air group where at the end of each weekly outing we would gather for a group critique. The group ranged from beginners to art teachers and I learned so much from them!

Lisa, thank you for your comment. That's a great idea, holding a critique after a Plein air outing. I'm going to suggest it to the Plein air group I go out with.

Elaine, that sounds relaxing, which is what art is supposed to be. It would be a good workshop to offer at a cancer center.


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